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Violin Rosin - OLIV - EVAH PIRAZZI

Description

Natural resin was and still is being collected from pine trees in autumn and terpentine oil the result of its destillation. Pieces of natural resin are put into a heated pot to evaporate water while impurities within the hot liquid resin need some time for sinking to the ground. Finally pure liquid resin can be skimmed and cooled down. French and North American pure resin has a light yellow and German pure resin a more brown colour. In a following procedure pure resin is being heated up again, oil and other ingredients added and the liquid resin poured out into a form to get the final cake musicians are using. This procedure is different among manufacturers and carefully treated as a secret. Therefore rosin cakes are of different quality and influence to bowing technic and to the specific sound colour of the instrument.  

Violinists and violists need a more dry or hard rosin, cellists a medium and double bassists a more sticky rosin in general. 

Steel strings can be better played with dry or harder rosin,
synthetic strings with medium and generally gut or gut wound strings with a more sticky rosin.
Moreover, experienced players prefer a more soft rosin for the studio and a harder rosin in the concert hall. Dry rosin is best in tropic and soft rosin in cold climate. 

Please remove rosin from your strings, instrument and bow after your play using a soft and dry cloth. Carefully use your string cleaner - alcohol can damage your instrument's surface - and please put some string oil to cleaned plain gut strings to keep their elasticity for their life time.

Quantity

$17.00

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